In my imagination, the automaton is reveling in the glory and fanfare of its first days of public exhibition, when its metal parts were bright.
#Hugo automaton movie#
As Hugo himself says, "Machines never come with any extra parts, you know…so I figured, if the entire world was one big machine, I couldn't be an extra part. Maillardet’s automaton has been enjoying a tremendous rebirth of attention by visitors from around the world, who want to see the automaton that inspired Brian Selznick’s book, and the movie HUGO.
But beneath all of Hugo's reserve and intelligence is just a young boy looking for a place where he belongs. He's also something of a genius, since maintaining clocks and fixing machines is no small feat for a twelve-year-old. Use examples from the movie to suggest why he may have chosen the automaton, and what it represented to Hugo. In order to escape the inspector's notice, Hugo develops into a quiet and wary boy, but these traits could just as well be a result of his lonely existence. Out of all the objects Hugo could have taken from his house, he chose the automaton, and fixing it became his obsession. Personality… quiet, clever with machines, and deeply lonely. It's not an easy task – much of the machine is broken, and Hugo has little idea how the automaton is actually supposed to work – but he's determined to succeed. Beyond the challenge of living alone as a child, Hugo desperately wants to finish his father’s work, going so far as to follow Georges Melies home to get his father's notes back.
But he does have a pretty close relationship with his new friend, Isabelle.Ĭhallenge… fixing the automaton his father left behind. He’s only twelve and probably not looking to date just yet. Hugo likes sneaking into the cinema and is obsessed with fixing the automaton his father left behind.
#Hugo automaton free#
In his free time, he’s also continuing his father’s work of repairing an old automaton, stealing the parts he needs from Georges Melies’ toy shop. Profession… repair and maintenance boy for the station's clocks, using the skills his uncle taught him to do the job. As Hugo can get most of what he needs there, he pretty much never leaves the station. With no adult caretaker, Hugo must hide from the station inspector to avoid being sent to the orphanage, and he steals croissants from the station shops for food. At that time, Selznick began his research on automata and the curator at the Franklin Institute allowed him to study their automaton.4 The history of the automaton at the institute also had a mysterious origin that was similar to what Selznick had in. Living… in the walls of the Gare Montparnasse train station in Paris, alone in his uncle’s apartment. Selznick's original idea was to have Hugo find an automaton in a pile of garbage and fix it. However, Claude is more interested in drinking than taking care of his nephew, and after a while, he disappeared. Paslpta Mlyna Rinkis Hugo Cabret - Hugo and automaton Illustration from The Inv Flickr kanal Azija Paslaptis Hugo and the Automaton Dennis M. After his father died in a fire, his uncle Claude took him in. If all goes exceedingly well, it will automatically begin another drawing or poem shortly after finishing the first.Grew Up… in Paris in the ‘30s,learning about clocks and automatons from his widowed father. Each requires multiple cams, and trouble can arise when the machine has to move the whole stack, by only an eighth of an inch, to shift cams. Once wound up and turned on, the machine whirs into action, producing a drawing or poem in about three minutes. Penniman and museum staff treat it with kid gloves, using a block of aluminum to delicately set the hand and its pen (the original writing instrument is unknown it was lost long ago) in the proper position over a small piece of paper. The automaton, which sits, unclothed, in a glass display case as part of the museum’s permanent “Amazing Machine” exhibition, is now in working order, although it is demonstrated only rarely. He took apart some elements of the mechanism, had a crucial replacement part produced by the museum’s machinist, and oiled and adjusted the rest. “I operated it for the first time and it jammed up - and it was the shoulder.” “On one photo, Charlie had written, ‘Possible shoulder impingement,’ ” he recalled. Baron came to the museum for several weeks in 2007 and set to work, with the aid of photographs Mr.
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